Cherry Red Productions' Wife Swappers. Written by Justin Tanner. Directed by Ian Allen and Kate Debelack. Starring Catherine Aselford, Judith Baicich, Lucrezia Blozia, Carlos Bustamante, Tony Greenberg, Michael Miyazaki, Richard Renfield, Kris Roth. Costumes by Rhonda Key. Set and Lights by Kim Deane. Props by MV Jantzen. Stage Management by Emily Jablonski, Amanda Williams.
Tuesday, November 23, 2010
Cherry Red Productions Returns to DC
Cherry Red Productions' Wife Swappers. Written by Justin Tanner. Directed by Ian Allen and Kate Debelack. Starring Catherine Aselford, Judith Baicich, Lucrezia Blozia, Carlos Bustamante, Tony Greenberg, Michael Miyazaki, Richard Renfield, Kris Roth. Costumes by Rhonda Key. Set and Lights by Kim Deane. Props by MV Jantzen. Stage Management by Emily Jablonski, Amanda Williams.
Sunday, September 26, 2010
Landless Fans Will Be Spellbound!
Producing Artistic Director
As a fan of all off-beat musicals, it's strange to confess that I just saw The 25th Annual Putnam County Spelling Bee for the very first time today at Maryland Ensemble Theatre in Frederick. In retrospect, I'm glad that I waited to see it produced by this uniquely talented theatre company that has always held a special place in my heart. There will be other productions of Spelling Bee in our region over the coming months, but I recommend that you see THIS production - for several reasons, not the least being that it features our own Matt and Amy Baughman, who have helped build Landless with their many entertaining performances over the years. They are matched by an ensemble of actors who are equally skilled at creating outrageously lovable characters under the direction of MET Associate Artistic Director Gene' Fouche, who understands the organic nature and nuance of comedy better than any director I have known.
The plot is pretty straightforward: YOU, the audience member, attend a children's spelling bee in Putnam County. [That's right, it's the most comprehensive title since Snakes On A Plane.] If you're lucky, you might even get a chance to participate in the Spelling Bee. I thought I had seen the depths of "audience participation" fully plumbed, but to give credit where it is due, Spelling Bee elevates the form to a new level. No cheap toss-off gimmick, here, these [victims] are on stage and integrated into the action for the entire first act of the show, including dance numbers! At intermission, one young participant informed me that he was selected just before the show and given 10 minutes to prepare with the cast. This is a brilliant feat of improv, executed seamlessly by the MET. If you have an unsuspecting loved one who is celebrating a birthday, I strongly suggest you show up early and bring some cash to bribe the MET folks.
In Spelling Bee, you get to spend a couple hours with a group of Peanut-esque adolescents who each represent some type of weird kid you probably knew in your tweens, or maybe the weird kid that you used to be; for instance, I identified with the boy who... um... never mind, it's kind of indelicate, you don't want to know.
Which brings me to my one and only gripe with this show, and It has nothing to do with the production or the script. It has everything to do, however, with Our Society.
You see, having never seen the play before, all I had ever heard about the show was "it's so funny, but it is definitely NOT APPROPRIATE for children." I was expecting to see something very scandalous, but was met instead by a quirky musical with one foot firmly planted in mainstream musical theatre. By my observation, the only remotely nefarious element of the show involved a scene about a boy getting an untimely erection. Considering this is a pretty common and natural part of growing up for all boys, it's kind of disturbing that we're all dubbing this play "inappropriate" for kids. Sure, this phenomenon is always a little embarrassing for the "erectee," but isn't this a topic we can laugh about as a family? Isn't this something family members should feel comfortable talking about with one another after the show? Way to make boys feel ashamed about their confusing hormonal changes, America.
Oh, no, wait. I just remembered. There is also a kid with two gay dads. I stand corrected: WILDLY INAPPROPRIATE.
But I digress.
The cast is uniformly outstanding. My favorite is MET Producing Artistic Director Tad Janes as Vice Principal Douglas Panch. Tad is a master comedic actor with a full arsenal of tricks. His chief weapon is his ability to build an absolutely ridiculous characterization anchored by smart humor. I have no doubt that his take on Panch is one-of-a-kind, and that's another strong reason to check out THIS production. Allison Lepelletier reveals more than just strong vocal chops as Marcy Park, she can also flip, fence, rock out on piano and twirl a baton with surprising proficiency. Sister-in-law Amy retains her championship title for superior deadpan and comic timing as Logainne Schwartzand[somethingIcantspellorremember], and Maura Lacy is perhaps the most successful cast member in riding that fine line between wacky caricature and realism. I suspect she deserves the lion's share of the credit for an unexpectedly touching friendship with the bizarre William Barfee, played by my notoriously hammy brother.
Perceived biases be damned, Matt's "Barfee" earns my Scene Stealer Award. He pulls out all the stops, including many of his trademarks: the patented slow motion walk, face-plant into a pillar, and killer dance moves. Not content to rest upon his comedic laurels, he also delivers an excellent vocal performance of a difficult role to sing. The audience was rooting for him all the way until [SPOILER - DELETED BY EDITOR].
Alison Shaffer provides solid music direction, and leads a two-piece combo that makes it possible to hear all of the voices clearly without amplification. This score just feels right in the intimate MET theatre, where at one powerful moment harmonies fill the house from actors staged around the audience - you get a chill and feel as though those harmonies are rising up from under your feet.
To sum it up - or spell it out [there, obligatory pun achieved!] - make the trip up to Frederick to see this show while you still can. You'll be glad you did! Buy your tickets now, they will sell out - www.marylandensemble.org
T-2-5-A-P-C-S-B is LANDLESS APPROVED!
Friday, June 25, 2010
THE "FUNKY" FOH-TY PASS AT CAPITAL FRINGE 2010!

Landless fans, the 2010 Capital Fringe Festival is right around the corner. We know you’re already planning to attend CARRIE POTTER AT THE NEW MOON PROM, but finding the right combination of shows to see at Fringe can be overwhelming.
Well, look no further, because Landless has put together a “one-stop shopping” package for you: we call it THE FUNKY FOH-TY PASS! Simply visit capfringe.org and select the FOH-TY PASS (4 tickets for just $50).
When it comes time to select your four productions, we have compiled the following list of shows that we think REPRESENT THE BROAD SPECTRUM OF FUN THEATRICAL EXPERIENCES YOU LOVE. They also all play in CLOSE GEOGRAPHICAL PROXIMITY at Studio Theatre and Playbill Cafe (14th and P NW), and FEATURE MANY OF THE ARTISTS YOU HAVE LOVED IN PREVIOUS LANDLESS PRODUCTIONS!
PICK NUMBER 1: THE LUNATIC FRINGE

The Von Pufferhutte Family Singers! (the musical)
presented by I Like Nuts! (the company)
Venue: Studio Theatre - Mead Theatre
Landless alumni: Josh Speerstra (High Fidelity, Cannibal and many others), Jen Speerstra (Diamond Dead, Spooky Dog and many others), Nick Greek (Spooky Dog), Chris Davenport (Director of Cannibal), Timothy R. King (Cannibal, Gilligan’s Island, Psycho Beach Party)
“From the producers of “I Like Nuts! (the musical)” and “Captain Squishy’s Yee Haw Jamboree! (the musical)” A wacky romp that will force you brain to bleed with joy! Follow the Von Pufferhuttes as they struggle to find fame and fortune in American. See the less than true story of the not talented or successful Von Trapps. 75 minutes”
With so many of the minds behind our production of CANNIBAL! THE MUSICAL involved, we can absolutely guarantee that you’ll laugh your ass off at this show!
PICK NUMBER 2: BETWEEN ROCK AND A DARK PLACE

The Horrors of Online Dating
presented by Molotov Theatre Group
Venue: 1409 Playbill Cafe
Landless alumni: Alex Zavistovich (Cannibal, Renaissance), Kevin Finkelstein (Night of the Living Dead), Genevieve James (High Fidelity)
“A gory musical comedy with sex, drugs, and puppets about a killer who finds her victims through dating websites. Molotov Theatre Group (Pick of the Fringe 07' Best Comedy, 08' Best Overall) and playwright Shawn Northrip (07' Best Musical) collaborate. 90 minutes”
This is Molotov’s first musical production, and teamed with creator Shawn Northrip (Titus X, Cautionary Tales for Adults), it should be on everyone’s “must see” list. It promises to be a gory good time.
PICK NUMBER 3: GEEKFEST '10

Super Claudio Bros. - The New Video Game Musical
presented by Charlie Fink
Landless alumni: Karissa Swanigan (Evil Dead, High Fidelity, many more!), Stephen Gregory Smith (High Fidelity), Gillian Shelly (Fictitious, Diamond Dead)
“This new musical comedy takes our heroes - and an ass kicking princess - on a quest to overcome man-eating plants, spiky killer mushrooms, and a neurotic, love-starved homicidal purple platypus. Features original animation, puppets, and eggplants! 90 minutes”
Landless supporter Charlie Fink has assembled a top-notch team of artists in what might be the coolest premise for a musical in ages. Don’t miss your chance to catch CLAUDIO BROS. on the ground floor, this could be the start of something big.
PICK NUMBER 4: POP CULTURE CAMP

Carrie Potter at the New Moon Prom
presented by Landless Theatre Company
"Teen witch Carrie Potter battles bitchy classmates and the seductive power of Jesus Christ ("He Who Really Shouldn't Be Named") in this satirical send-up "everything geeky," featuring Lucrezia Blowzia! From the producers of DIAMOND DEAD!" 70 minutes
Our perennial recipe for drag and camp escapades: put Twilight, Potter, Carrie and every angsty teen flick ever made in a blender! This summer’s production welcomes Nora Palka and Jed Breckenridge (Perez Hilton Saves The Universe), as well as Clay Comer (“Ash” in Evil Dead).
STILL NEED HELP?

Ok, we'll spell it all out for you.
FUNKY FOH-TY PASS ITINERARY
(Do it all in one day!!!)
Saturday July 24
(Studio Theatre - MEAD THEATRE)
11:30 AM Carrie Potter
12:30 Lunch Break on 14th Street!
1:30 PM Von Pufferhutte Family Singers
3:30 PM Claudio Brothers
Dinner at Playbill Cafe and
Horrors of Online Dating at 8:00 PM
Visit http://capfringe.org/2010_box_office.html for tickets today. See you at Fringe!
Tuesday, September 29, 2009
Radio Awards Show at DCTheatreScene.com

Sadly, this here blog has lain dormant for a while. We have had a busy summer with three productions at two fringe festivals... but I'm giddy to report that L'approved blog is about to make a comeback!
Sunday, March 8, 2009
VINCENT: And Now For Something Completely Different

PS - This is a great place to mention that you can become a DCAC member for $30. Contact Blair Murphy (202-463-7833) or visit www.dcartscenter.org for information. Membership benefits include discounts for Landless and other DCAC shows, and your donation will help DCAC in its mission to support and foster emerging artists and companies.